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c. 1445 – May 17, 1510. Italian painter.

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COSSA, Francesco del
St Vincent Ferrer (Griffoni Polyptych) dfg

ID: 06178

COSSA, Francesco del St Vincent Ferrer (Griffoni Polyptych) dfg
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COSSA, Francesco del St Vincent Ferrer (Griffoni Polyptych) dfg


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COSSA, Francesco del

Italian Early Renaissance Painter, ca.1435-1477 Italian painter. Together with Cosimo Tura and Ercole de' Roberti, Cossa was one of the most important painters working in Ferrara and Bologna in the second half of the 15th century. With them he shared an expressive use of line and solidity of form, but he also had a gift for decorative and anecdotal scenes, most evident in the frescoes in the Palazzo Schifanoia, Ferrara.   Related Paintings of COSSA, Francesco del :. | St Lucy (Griffoni Polyptych) dfg | Annunciation and Nativity (Altarpiece of Observation) df | Saint Florian (detail) dfg | Madonna with the Child and Saints dfg | The Crucifixion (detail) sdf |
Related Artists:
Dirck de Quade van Ravesteyn
Flemish painter 1565-1620
Jan josephsz van goyen
Dutch , Leyden 1596-The Hague 1656 was a Dutch landscape painter. Van Goyen was an extremely prolific artist; approximately twelve hundred paintings and more than one thousand drawings by him are known. Jan van Goyen was the son of a shoemaker and started as an apprentice in Leiden. Like many Dutch painters of his time, Jan van Goyen studied art in the town of Haarlem with Esaias van de Velde. At age 35, he established a permanent studio at Den Haag (The Hague). Crenshaw tells (and mentions the sources) that Van Goyen's landscape paintings rarely fetched high prices, but he made up for the modest value of individual pieces by increasing his production, painting thinly and quickly with a limited palette of inexpensive pigments. Despite his market innovations, he always sought more income, not only through related work as an art dealer and auctioneer but also by speculating in tulips and real estate. Although the latter was usually a safe avenue of investing money, in Van Goyen's experience it led to enormous debts. Paulus Potter rented one of his houses. Nicolaes van Berchem became his pupil. In 1652 and 1654 he was forced to sell his collection of paintings and graphic art, and he subsequently moved to a smaller house. He died in 1656, still unbelievably 18,000 guilders in debt, forcing his widow to sell their remaining furniture and paintings.
MASTER of Saint Cecilia
Italian Byzantine Style Painter, active 1300-1320






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